Annie Cresta | Victor of the 70th Hunger Games (
treadswater) wrote in
farsickness2021-02-28 09:07 pm
have we ever thought that being lost is our destination? | Locked + OTA
WHO: Annie Cresta
WHEN: 28th February, first part of March
WHAT: Arrival
WHERE: Gazin
WARNINGS: Anxiety attack in Arrival section + general anxious thinking in other threads. Will add if anything more shows up.
NOTES: Feel free to add a wildcard situation if you want! Annie will be scoping out Gazin a lot.
ARRIVAL | Locked to Lyanna Stark
She wants to be anywhere else. She wants to be somewhere away from the television, away from her house, away where she can't be found at all. No one. No journalists to ask her awkward questions because oh no, oh no, it's the Quarter Quell and the arena will soon be down to the final eight. And Finnick will live. He'll live past that. And then Annie is going to be in world of trouble because... Because...
Because they made the jabberjays scream in her voice. Because Finnick had been mad with desperation.
Because Snow had made the rules very clear and then he'd given the nod to force whats-his-name, that fucker of a Gamemaker whose name she can't remember right this very fucking second, she's so fucked, they are so fucked, and they hadn't done anything wrong. And now, and now there'll be journalists asking questions and Annie had bolted from the living room as soon as her feet let her. Bolted where? She doesn't know.
She just wants to be somewhere else-
The cold shocks her. Her feet trip as snow suddenly clings to her ankles, and Annie stumbles onto the ground. The cold, wet, snowy ground. Her gasp pulls cold air into her lungs and she starts to cough at the sudden icy conditions. Maybe it's a good thing: it stops her from screaming.
In a daze, Annie reaches out to push herself up from the ground, her other hand still clutching her shawl to her chest. She'd. She'd been running through a doorway, down her hall and, and had something blurred? She can't remember. But she can't have been drugged. Her steps had moved smoothly from one to another. No pause. Just suddenly... This.
Snow. A forest. A wooden crossroads and a cold wind chilling her through the thin cotton of her blouse.
Now I really have gone completely insane, Annie thinks, and she starts to laugh.
LATER | OTA
Gazin is strange. Annie can't make sense of it. She has a room now, on a loan from the tavern. She'll have to pay for board in a week. She has clothes. The faded dress is too big, the stockings patched and mended, the boots will need a repair soon, the cloak smells musty. But they are clothes and if she puts them over her own blouse and skirt, she's warm enough. It's enough. It's enough to be another data point because oh, no, the Capitol would not put her in such things. She knows how the Capitol works, how the arena fashion works, and none of this is what they'd do with her.
She's worn out from her bout of hysterics in the forest, so for a few hours that first night, Annie can be found in the tavern's main room listening in on conversations. Watching the dynamics at play. Trying to work out what, actually, is going on.
(When she goes to bed, she makes sure the door is blocked and she already has an idea of where to run if she has to climb out the window.)
The next few days, Annie can be found walking around Gazin. She's put on that old cloak but only sometimes wears the hood up. It restricts her vision and she is still jumping at shadows. Maybe this isn't all some new and excitingly detailed hallucination, but she's on edge enough that she's risking the cold to broaden her field of vision.
She visits shops, including a jeweller to get a price on the bangle she's least attached to. Not that she trades it in just yet. You only do that if you can't afford to bargain, and Annie has a week. She can look around to see where she'd get the best price. Once she can talk without nervousness, without her awkward laugh. She walks around the market, still watching, and one day, she even ventures out to the river. If she's to pay the loan, she'll need money, and trading bangles will only last her so long. She can fish. She can.
She'll just have to work out what she can fish in this ridiculous weather.
WHEN: 28th February, first part of March
WHAT: Arrival
WHERE: Gazin
WARNINGS: Anxiety attack in Arrival section + general anxious thinking in other threads. Will add if anything more shows up.
NOTES: Feel free to add a wildcard situation if you want! Annie will be scoping out Gazin a lot.
ARRIVAL | Locked to Lyanna Stark
She wants to be anywhere else. She wants to be somewhere away from the television, away from her house, away where she can't be found at all. No one. No journalists to ask her awkward questions because oh no, oh no, it's the Quarter Quell and the arena will soon be down to the final eight. And Finnick will live. He'll live past that. And then Annie is going to be in world of trouble because... Because...
Because they made the jabberjays scream in her voice. Because Finnick had been mad with desperation.
Because Snow had made the rules very clear and then he'd given the nod to force whats-his-name, that fucker of a Gamemaker whose name she can't remember right this very fucking second, she's so fucked, they are so fucked, and they hadn't done anything wrong. And now, and now there'll be journalists asking questions and Annie had bolted from the living room as soon as her feet let her. Bolted where? She doesn't know.
She just wants to be somewhere else-
The cold shocks her. Her feet trip as snow suddenly clings to her ankles, and Annie stumbles onto the ground. The cold, wet, snowy ground. Her gasp pulls cold air into her lungs and she starts to cough at the sudden icy conditions. Maybe it's a good thing: it stops her from screaming.
In a daze, Annie reaches out to push herself up from the ground, her other hand still clutching her shawl to her chest. She'd. She'd been running through a doorway, down her hall and, and had something blurred? She can't remember. But she can't have been drugged. Her steps had moved smoothly from one to another. No pause. Just suddenly... This.
Snow. A forest. A wooden crossroads and a cold wind chilling her through the thin cotton of her blouse.
Now I really have gone completely insane, Annie thinks, and she starts to laugh.
LATER | OTA
Gazin is strange. Annie can't make sense of it. She has a room now, on a loan from the tavern. She'll have to pay for board in a week. She has clothes. The faded dress is too big, the stockings patched and mended, the boots will need a repair soon, the cloak smells musty. But they are clothes and if she puts them over her own blouse and skirt, she's warm enough. It's enough. It's enough to be another data point because oh, no, the Capitol would not put her in such things. She knows how the Capitol works, how the arena fashion works, and none of this is what they'd do with her.
She's worn out from her bout of hysterics in the forest, so for a few hours that first night, Annie can be found in the tavern's main room listening in on conversations. Watching the dynamics at play. Trying to work out what, actually, is going on.
(When she goes to bed, she makes sure the door is blocked and she already has an idea of where to run if she has to climb out the window.)
The next few days, Annie can be found walking around Gazin. She's put on that old cloak but only sometimes wears the hood up. It restricts her vision and she is still jumping at shadows. Maybe this isn't all some new and excitingly detailed hallucination, but she's on edge enough that she's risking the cold to broaden her field of vision.
She visits shops, including a jeweller to get a price on the bangle she's least attached to. Not that she trades it in just yet. You only do that if you can't afford to bargain, and Annie has a week. She can look around to see where she'd get the best price. Once she can talk without nervousness, without her awkward laugh. She walks around the market, still watching, and one day, she even ventures out to the river. If she's to pay the loan, she'll need money, and trading bangles will only last her so long. She can fish. She can.
She'll just have to work out what she can fish in this ridiculous weather.

arrival.
It reminds her of home.
Thereâs the sound of laughter, of all things, from somewhere off to her left, and she urges Sona in that direction at a canter, dismounting when sheâs nearer to its source, to approach on foot. Itâs near where she appeared, when she first arrived, and she wonders. if someone else has found themselves in a similar circumstance.
She catches sight of the slight redhead lying on the ground and she loops Sonaâs reins over the nearest tree branch with murmur for her to wait there for her. âAre you all right?â she asks, moving to kneel beside the girl.
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There's movement, and it's enough. It's enough to get her moving, even if it is just an awkward half roll. Something that once could have been a smooth, trained movement to get away from an attack, but now her limbs are confused and she's still clutching her colourful shawl to her chest. Her stepmother made it for her. She's not letting it go. So Annie winds up sprawled, backside on the snow and legs trying to get her to her feet. It's a position that just heightens how small she really is, and she knows it.
"All... all right?" Annie asks, breathless, laughter still caught in her voice. Her eyes are bruised with exhaustion and too bright, all at once, and she's staring at the other young woman like she's evaluating a threat.
Mostly, because she is.
The dark-haired stranger could be younger than she is, although a comfortable life can make it hard to tell. The Capitol always thought Annie herself looked old. They'll try to hide that, though, when they come. When the journalists come with their hungry eyes and hungrier cameras to rip her apart. She'll be put into her most Capitol-version-of-District clothes and have her face painted and... and...
This woman is a stranger. She doesn't sound like the Capitol or any of the Districts and Annie?
Annie is lost. She wants to scream. Her voice wants to laugh.
She presses her shawl to her mouth to swallow whatever might come out, and just stares at the stranger with ocean-dark eyes.
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The fractured sound to the girlâs laughter, how she tries to get away, like a skittish animal, to end up sprawled on the snow staring at her with wide eyes and her shawl pressed to her mouth hammers that home in a spectacular fashion. She needs to tread carefully. Whoever she is, she is scared and frantic and LOST. And not dressed for the weather in the slightest. She needs to get her to let her help her. Get her into town. Somewhere warm.
âI donât think you are,â she answers, softly. âBut thatâs okay. I can help. If you allow me to. Youâre not back home. Wherever that was, whatever youâre afraid of there, youâre not there anymore. They canât get you. I know it sounds...â Crazy, is how it sounds. âHard to believe, but itâs true. Youâre not the first to find herself here. My brother and I have been here for a few months, now, and there are others who have been here longer.â She keeps her voice soft and gentle, as though sheâs trying to talk down a skittish horse, or one of her brothers. (Not Ned. Nedâs the sensible one.)
âWe need to get you out of the cold, and out of the snow.â She reaches up and undoes her cloak, pulling it off and holding it out in her arms. âBut this should help a little, until we can.â
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But she's so tired. Exhaustion is tripping up her thoughts, pulling her down like she's caught in a rip. She needs to be smarter than this, but there's too many words and too many things that have gone wrong. And... And Annie's so cold. It's going to mess up her ankles if she stays in the snow. It shouldn't be cold like this, only the ocean should. But she knows what to do in the cold like this, if you can. You get out of it and then you call for help.
She tries to get up again, this time more controlled, and this time she manages to get to her feet. She can run if she has to. She can grab the crossroads sign for stability and if she has to run, she can push off it.
They can't get you, this woman says, and Annie really can't help that scoffing laugh which bursts out of her.
"How, how do I know they haven't already got me?" There were other words, but Annie was too breathless and too tired to get them to stick in her head. "Put me in an another arena for a twist, huh? Or, or some other game? I was."
She gulps for air. It's too cold, everything she's breathing in. She's so cold. She's so angry. Because she has done everything the Capitol ever asked and, and, and now?
"I was home. And who the fuck are you, lady?"
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âIâm Lyanna Stark. And you were home, yes.â She doubts she will be believed but sheâs going to continue to try. âI was, too.â In a way. Being with Rhaegar felt as much like home as Winterfell had. âUntil I found myself standing by strange signs in a place Iâd never seen before. And Gazin is nowhere on any map of Westeros.â
She doesnât know if the girl will believe her, but sheâll continue to try. She needs to get her somewhere warm. Somewhere safe.
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And Finnick's not here.
Because he's in the Games. In the arena. With Mags, who could read people, too, except Mags- And. And Finnick...
Something in Annie crumples.
She retains just enough sense to grab the cloak. But to put it on she needs to put the shawl down, except no, she won't, it smells like home and safety, and she's so cold, so cold, she should put the shawl on then the cloak-
Instead, she just stares at Lyanna and shakes.
"I don't understand," Annie whispers.
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Next. To get her to the inn. âCome with me, all right? Weâre just going to walk a little ways into town. Thereâs an inn, with a fireplace. Warm food, and drink.â She needs to get her somewhere warm, before hypothermia sets in worse. Even if she doesnât STAY, sheâll at least be able to warm herself.
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Listen to instruction.
But alongside that is all the Career training she went through, and all those years of watching the Games, analysing them. Analysing behaviour. And if Lyanna wanted to kill her, she'd be dead already. Wouldn't she?
Yes. She would.
So Annie stares at the other young woman for a moment three beats too long, and nods. She gives up. She's cold and confused and wants to scream, but more than that, she wants to cry.
"Okay."
Warm. Warm sounds good. So she lets Lyanna adjusts the cloak around her and it... it helps. Her ankles are still going to be all kinds of fucked up, but it helps.
"I. I'll come with you."
shopping
Still, this girl seems cagier than most and he tries to give her enough space before he speaks to her. There's nothing scarier than having someone mostly silent sneak up behind you so Bucky makes sure to be loud enough before he calls out.
"Not used to seeing people trying to sell jewelry. Usually they're buying it. You've got spares or something?"
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Well. Okay. There are multiple aspects to the trouble Annie is in. But here's a couple of them. Point the first: her mind is a bastard and plays tricks on her. She can easily mistake a casual glance for something studied (even mocking), pull together coincidences into a paranoid pattern until she's jumping at shadows and convinced of conspiracy. Point the second: she's a stranger here in this city, in clothes that only sort of fit her, with an accent that is completely different to anything she hears around her. She's worthy of some glances even without it being suspect. Point the third: Annie still has no idea what the fuck is going on and she trusts absolutely no one here.
It's a problem.
It's a problem because when this man talks to her, she still jumps, a little, because she's been too busy trying to filter out everything to assess an actual threat that she missed him. And he's not a small man.
She possess enough of herself not to fiddle with the bangles under her sleeves when he asks about them, at least. And that's a loaded question. No she hasn't got spares, and maybe she's desperate enough to be cheated. Yes, she has spares, which means she's rich enough to rob. Which is the line she's been walking all today and Annie? Annie is tired.
"I might," she says, after a moment of looking at him. Assessing him. Eyes to hands, shoulders, build and stance. Then back to his face. "But if no one sells, what's everyone buying?"
(She sounds so painfully, painfully District Four to her ears right now.)
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"I think people make things here but bartering makes sense too. I was just joking around with you, though. It's hard to make gold when you first get here and you don't know what's going on and forgive me for assuming, but you look new."
He knows that better than most, having hidden for a while before getting stumbled upon by Merlan and offered a job almost on the spot. It's good work, the forge, but it doesn't seem like something this girl might be able to manage. She might surprise him, though.
"Let me spot you some. No payback. Just a gift?"
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It's something.
Annie looks at him for a moment, and decides to take it. You have to take risks in the arena. And she's smaller than him. She can run fast and duck if she has to.
"A gift? Like... lunch, or, or a pair of boots that fit?"
She'd thought about asking him what he was offering, but then thought better of it. Open questions can lead to open answers. She needs something solid to grasp. And she can take either food or equipment.
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"If you want, we can look for the boots now and then I can take you to lunch afterward. It's the least I can do after people took care of me when I came here. For what little it might be worth, you can trust me."
Strange words to give instead of receive but it feels good to be on the other side of it for once.
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But-
His clothes look sturdy. He looks decently feed. He doesn't look hungry.
And... And she can still run. Which is why she wants the boots.
She survived the arena by running into a pack until it was time to split (and she's not thinking about the details of that point, no no no she is not) so she can... She can follow that. Here.
"That, um. That'd be... Nice? Yes. It'd be nice. Thank you."
Then, summoning up her courage, she steps forward and offers her hand. Small, like the rest of her, but with a wrist thickened by years of training and manual labour.
"I'm Annie."
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"Bucky. And don't worry about it. It's the least I can do for someone. I wouldn't be where I am if people hadn't helped me," he explains. "Here and back home. I don't think there's any shame in that. It's nice to be able to pay it forward for once."
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"Bucky," Annie repeats, putting it to memory. It's one of the more normal names she's heard here. And his accent is not completely unfamiliar. Still mostly off, but not as odd as others' have been.
"I... Yeah. I can get that." She's being honestly, too. You pay things forward because that's the only way it all functions. You get lucky, you pay it forward to help others. She's done it herself, when she can.
But. It's not a strategy for the arena. No, it's for the districts. Which is interesting.
"I was, uh, wondering. How do people earn their way here?"
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He assesses Annie and her slim form and decides manual labor might not be her thing. Still, he can be surprised, and she might hold an inner strength he's not considering.
"There's work in the tavern too - bartending, waitressing. There's plenty of stuff. It's just that you have to ask around."
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L A T E R
He's a fisherman, but he's always been more of a saltwater fisher than a freshwater one, and he doesn't know what he can expect from the conditions here. He does know that it's cold enough that fish aren't easy to come by spearfishing, and he doesn't want to stand up to his knees in the cold water while he's trying to work it out.
So he's up a tree on the riverbank, having hidden his footmarks as well as he can, watching the river current and looking for signs of fish.
(He's also watching the occasional small boat that goes by, but they're of less interest.)
He's watching a spot where eddies are forming near some rocks when he notices a slender figure approaching. She's moving carefully, feeling out where she's going in a way that makes his heart ache, because it's the same way Annie moves when she's exploring. She's wearing a cloak and carrying a long stick. As he watches, she bends down to poke something on the riverbank with the stick, and he sees the gleam of sunlight on red hair. Just like Annie's hair, worn like Annie would wear it, and now she's closer he can see that she's very like Annie in stature too.
It's only when she straightens and turns downstream that he sees her face.
"Annie."
He breathes the name out, his voice soft, almost reverent. He can't say it any louder, because it feels like that might make her disappear. He's been thinking about her so much, wishing he knew what was happening to her, longing to be back in Four, with her.
It can't be Annie. She can't be here. But he's scrambling down to hang on a limb of the tree and then drop to the ground almost before he's thought that.
He needs to know.
"Annie!"
He runs a few steps but then he stops, because this can't be real. The last time he'd heard her it had been screaming from a jabberjay's mouth.
It hurts to see her there, to see her and think it must be some sort of trick.
He holds out his hands, palm first.
"You're here. Not real?"
He wants the answer to be real so much.
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She knows that voice. She'd know that voice anywhere. But she controls herself. After all, Annie hears many things that aren't there. And she wants the owner of this voice to here so badly.
Carefully, she turns.
And-
"Finnick?"
He's standing there. Healing scabs on his face. Wearing clothes like hers; warm, thick spares, nothing like Capitol stylishness. Nothing like what he'd been wearing when last she saw him.
Saw him on the television. In the arena.
In that sadistic jungle.
The stick drops from her hand and she takes a step forward, then another more stumbling as she half tripped. But she keeps her eyes on Finnick as he opens out his hands and asks-
"Not real?"
"Real." Annie's voice catches in her throat and she tries again. "Real. I'm real, Finnick, I'm real. Are you...
Real or not real?"
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The little sleep he's had here has been full of her screams, screams like he'd never heard before the jabberjays. Not the shriek of alarm when her mind plays tricks on her or the high-pitched edge her voice gets when she's hysterical. Screams out of his worst fears, Snow's worst threats given a sound, fed to the jabberjays and used against him. It had been so real, hearing them, as real as she looks, now. But a Capitol trick wouldn't know that response, wouldn't know the full phrase he'd only asked half of. The shorthand they'd developed after so many whispers of it's not real, Annie, so many times when he'd tried to soothe her out of the knots her mind ties her in.
It's theirs. Not for the Capitol to take and use against him.
"Real. Annie, I'm real. I'm here, and you're ..."
He can't say anything else, because his voice chokes into a sob because he'd been so scared what they'd done to her, what they'd do to her, because they'd tricked him into screaming her name in the arena for the whole country to hear, and they were only allowed to be together if it remained a secret.
There's so much he wants to say, and he can't say any of it.
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He's standing there and no Capitol illusion would sound like that. Not that harsh, ugly choke on his words, oh no. It'd be too real for them. No Capitol illusion would look at her, like that. No. This is her Finnick.
So she runs. She doesn't care if there are cameras, or anyone in the forest, or what anyone on any boat might think if they see them. For once, none of that enters her head. She just runs and throws herself at Finnick, trusting that he'll catch her.
He always catches her.
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It's familiar, something they've done over and over again in the secrecy of their own homes. Never in the open, where they could be seen. But he's acting on instinct as he takes the few steps needed to meet her, to sweep her up into his arms.
It hurts, the injury on his forearm pressing against her back as he holds her, but he doesn't care, because she's here, it's really her, and he'd thought he might never see her again.
So he holds her, clings to her, lets her cling to him, and he buries his face in her hair. That's an old trick, too, for when they can't be sure whether they're observed or not. He can hug a friend. He can whisper to a friend, too, words that can't be heard by anyone else, because they'd betray him for her lover.
"You're safe. I thought they'd hurt you."
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Annie moves her head just enough to kiss his forehead and then she rests her forehead on his hair
"I've missed you so much."
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He'd wanted to believe it when Beetee had told him it was a trivial thing to manipulate the sounds he'd heard, but it had been so real.
"Annie, I..." His voice trails off, because he's not sure what he wants to say. There's too much. Things he'd wanted to tell her before the Peacekeepers marched him straight to the train. Things he'd been thinking of in the arena, when he couldn't get her out of head. The simple fact that he missed her too, that he loves her.
"Missed you too. But. Someone could be watching."
Be careful is another thing he doesn't say.
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(He's alive, he's alive, he's alive and he's here.)
"So?"
But now Annie feels exposed, and like she's making them a target. If they need to run, they both do better if she can keep pace aside Finnick, not carried by him. Reluctantly, she drops herself lightly to the ground and just looks up at her lover.
"I don't care. Not about cameras, or spies, or any of that rotten fish shit. I really don't." Her voice is quiet, puzzled, and she's making no attempt to hide any of her words.
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